Zinoleesky leaves Naira Marley to starts his own record label

A major shift has just unfolded in Nigeria’s music scene, and it’s one that many fans and industry watchers have quietly anticipated for months. Oniyide Azeez, better known as Zinoleesky, has officially severed ties with Marlian Music, bringing an end to a partnership that lasted close to seven years. In its place, the street-pop star has unveiled a new chapter of his career with the launch of his own independent imprint, Zinonymous Sound.

The announcement arrived in the early hours of Friday, April 24, 2026, through a cinematic teaser shared across his social media platforms. The video, styled like a short film, carried themes of rebirth and self-liberation, strongly suggesting that Zinoleesky is not just changing labels but redefining his identity as an artist. For followers who have paid attention to his journey, the move feels both surprising and inevitable at the same time.

For years, Zinoleesky was one of the most loyal and prominent figures within the Marlian Music camp. Discovered and nurtured by Naira Marley, he rose quickly through the ranks to become one of the label’s biggest stars. His unique blend of street-hop melodies, introspective lyrics, and infectious hooks made him a standout voice among his peers. Songs like “Ma Pariwo,” “Kilofeshe,” and “Many Things” helped cement his place as a fan favorite, particularly among Nigeria’s youth and street-pop audience.

Despite his success, Zinoleesky’s association with Marlian Music also came with its own complications. The label itself became a controversial brand, especially after the tragic death of Mohbad in 2023. The incident triggered widespread backlash, public scrutiny, and a wave of criticism directed at both the label and its artists. While some members distanced themselves or faced public fallout, Zinoleesky remained visibly loyal to Naira Marley during that turbulent period. His decision to stay earned him both praise for loyalty and criticism from those who felt he should have spoken out more.

As time went on, subtle signs began to suggest that all was not well behind the scenes. In late 2025, Zinoleesky posted a series of cryptic messages on social media that hinted at deeper frustrations. Though the posts were later deleted, they sparked intense speculation among fans and industry insiders. In those messages, he spoke about the importance of fairness, respect, and transparency within the music business. He also alluded to feeling restricted and undervalued, though he stopped short of naming anyone directly.

Those brief glimpses into his state of mind painted a picture of an artist who had begun to outgrow his environment. While Marlian Music played a crucial role in shaping his career, it appeared that Zinoleesky had reached a point where he wanted greater control over his work and his future. Sources close to the situation have suggested that issues around creative freedom and financial structure may have contributed to the eventual split.

Now, with the launch of Zinonymous Sound, Zinoleesky is stepping fully into independence. The new imprint is being positioned as more than just a traditional record label. According to early details, it will function as a creative hub where music, culture, and artistic expression can thrive without the limitations often associated with conventional label systems. Zinoleesky is said to have full ownership of the brand, marking a significant shift from the shared profit structures that defined his previous deal.

Alongside the announcement, he teased a new single reportedly titled “Freedom Flow.” The snippet suggests a more experimental direction, blending elements of Afro-Adura with soulful undertones. This shift in sound may signal a deliberate move away from the signature Marlian style that once defined his music. If this direction continues, fans can expect a more introspective and versatile Zinoleesky, one who is willing to take creative risks and explore new sonic territories.

There are also early indications that Zinonymous Sound will not be a one-man operation for long. Zinoleesky has hinted at plans to sign emerging talents, particularly artists from the underground street-pop scene. By doing so, he may be aiming to recreate the kind of platform that once launched his own career, but with a structure that emphasizes artist welfare and independence. If executed well, this could position him not only as a performer but also as a key player in shaping the next generation of Nigerian music.

The reaction from Naira Marley has been notably muted so far. There has been no official statement addressing the split, but fans quickly noticed that he unfollowed Zinoleesky on social media shortly after the announcement. That small but symbolic action has fueled speculation about the true nature of their parting. While there have been no public accusations or dramatic exchanges, the silence leaves room for interpretation.

Compared to previous exits from Marlian Music, this situation appears more controlled and less chaotic. The departures of artists like Mohbad and Lyta were marked by public disputes and emotional revelations that played out in the spotlight. In contrast, Zinoleesky’s exit has been handled with a degree of restraint, at least on the surface. However, the removal of Marlian branding from his profiles and the immediate launch of a competing label make it clear that this is a definitive break rather than a temporary separation.

The bigger question now is what lies ahead for Zinoleesky as an independent artist. While he has proven his talent time and again, the transition from label-backed star to self-driven entrepreneur is never easy. One of the immediate challenges he faces is reconnecting with a segment of fans who distanced themselves during the Marlian controversies. Public perception plays a powerful role in the music industry, and rebuilding trust may require more than just good music.

Another important factor is his catalog. Much of Zinoleesky’s past work is still tied to Marlian Music, which means he may not have full control over some of his biggest hits. This makes it even more crucial for him to deliver fresh material that can match or surpass his previous success. Consistency will be key, as he now carries the dual responsibility of sustaining his personal brand while also managing a growing business.

Collaborations could also play a significant role in this new phase of his career. During his time with Marlian Music, certain artists and industry figures kept their distance due to the label’s reputation. Now that he is independent, new opportunities may open up for partnerships with mainstream acts, international performers, and even former rivals. Strategic collaborations could help him reach new audiences and reinforce his position within the industry.

There are already whispers of a global tour under the Zinonymous banner, with potential stops in major cities like London, Dubai, and New York later in the year. If confirmed, this would mark a bold statement of intent, signaling that Zinoleesky is ready to take his music beyond local borders and establish a stronger international presence. Touring, however, comes with its own set of logistical and financial challenges, especially for an independent artist.

For fans, this moment represents something deeply significant. Zinoleesky has always been seen as a talented but somewhat reserved figure, someone who let his music speak louder than his words. This new chapter offers a chance to see a different side of him, one that is more assertive, visionary, and in control of his narrative. It is an opportunity for redemption in the eyes of those who felt disappointed during past controversies, and a fresh start for those willing to embrace his evolution.

The rise of Zinonymous Sound also reflects a broader trend within the Nigerian music industry. More artists are beginning to prioritize ownership and independence, seeking to build structures that allow them to retain control over their work. Zinoleesky’s move adds to that growing conversation, highlighting the importance of artist empowerment in an industry that is still evolving.

At the same time, it would be unrealistic to ignore the risks involved. Independence can be liberating, but it also demands a level of discipline, business acumen, and resilience that goes beyond making music. Zinoleesky will need a strong team, clear strategy, and consistent output to ensure that his new venture does not lose momentum after the initial excitement fades.

Even with these challenges, there is a sense of anticipation surrounding what comes next. The name Zinonymous itself suggests a desire to redefine identity and break away from expectations. It hints at an artist who no longer wants to be boxed into a particular image or sound, but instead aims to create on his own terms.

As the dust settles, one thing is certain. The era that once revolved around the Marlian movement is gradually giving way to something new. Zinoleesky is no longer just a product of that system. He is now attempting to build his own. Whether Zinonymous Sound becomes a dominant force or simply a stepping stone will depend on the decisions he makes in the coming months.

For now, the spotlight is firmly on him. The industry is watching, fans are waiting, and the next move will be crucial. This is not just a career transition; it is a defining moment that could shape the legacy of an artist who has already experienced both the highs of fame and the weight of controversy.

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